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Creativity Tip 36 – The Creative Self
In the last two newsletters we looked at a special state called ‘flow’. It’s a feeling
outside of time, of effortlessness that is so extraordinarily satisfying it bestows
on us the sense that life is worth living.
Immersion in creative enterprises is hugely rewarding by itself. Do you long to express
yourselves creatively, admire the capacity to be original? It seems to be part of
human nature to have that flash of insight, to come up with a solution to a longstanding
problem.
So how do we develop and nurture creativity within ourselves?
In his book entitled Creative Authenticity, artist Ian Roberts argues that at some
point you just have to jump in, fears and all. The tricky part, he points out, is
getting started, since what it is lies just beneath the grip of the conscious mind
– a ‘tip of the tongue’ experience. It springs from hard-won personal inner synthesis,
experience and insight acquired first hand. It is not yet logically structured, but
it may take logic to get it expressed.
"Ultimately, it doesn't matter to the world whether you paint, dance, sing, write
or cook," says Roberts. "The world will probably get by without the product of your
efforts. But that is not the point. The point is what the inner process of following
your creative impulses will do to you. It is clearly about process not the result.
Love the work, love the process. Our fascination will pull our attention forward.
That, also, will fascinate the viewer."
Roberts’ principles, essential for creative authenticity, are:
- Searching for beauty. Beauty is something that seizes your attention, stops you in
your tracks, silences you. It can be the way light filters through the trees in your
garden or the magnificence of a fifteenth century Italian painting. The subject is
irrelevant; it is only a vehicle for your attention, to engage the intensity of your
feelings. That intensity is what viewers ultimately respond to.
- Communication. Creativity fundamentally involves expressive power; it is the catching
of the ‘gleams of light’ that flash across our mind and forming that vision into
something.
- Your home turf. It could be a garden or a studio. But you need a creative home base
that always stays open for your arrival and bestows on you a readiness to begin your
work.
- The Van Gogh syndrome. Don't buy into the myth that creativity is the province of
tortured geniuses.
- Your craft, your voice. Practise, practise, practise your craft. It gives you fluency
in the creative process and in technique. It's technique that gives life to your
creative ideas. Learning your craft opens the channel for your voice to flow.
- Showing up. "Nothing determines your creative life more than doing it," says Roberts.
- The dance of avoidance. Starting is always a psychologically messy process, because
there are no rules surrounding what you want to do. Setting up a dedicated space
for the practice of your craft helps you shift gears directly into your creative
process.
- Full-time or part-time. You can't expect to fly consistently at a high level of inspiration.
- Follow something along. If you are going to say something authentic, you need to
stick with an idea for a while, an idea that has personal resonance.
- Wagon train and scout. Creativity involves the interplay between where you are and
where you see yourself going to keep your expression growing. Always be on the lookout
for new paths, and observe how others solve the problems you face.
- Working method. Creativity is in the process, not in the finished results.
- Limits yield intensity. Unrestrained freedom is a myth and it's not productive.
- Being ready to show. Don't spend your time marketing your creations. If you spend
it creating, you are investing your work with the authenticity that will draw others
to your efforts.
- You are more than creative enough. The question is not whether you are creative enough
but whether you will free yourself to express it.
- Finding poetry in the everyday. Develop the power to see the ordinary as poetic.
- Holding the big picture. Always keep a sense of the whole as this commits you to
making the moves that will ultimately represent what you see.